Just in the first two tracks we can get a lid on just how wide the man’s scope is – with album opener ‘Praise Mighty’ exploring the darker side of gospel blues and it’s following track ‘Cannonball’ taking banjo and fusing it with a pounding techno beat
is absolutely pitch perfect
and used to drum for Younger Lovers and Neverending Party
But it also has to have dynamics
"Since breaking out of the hardcore pack with the savage onslaught of 2001's "Jane Doe"
KEROSENE 454 - At Zero LP blackened Just in the first twoCITRINE VINYL. In the fall of 1997 after touring with Boys Life, the band went into Inner Ear Studios to record At Zero with J. Robbins (Jawbox, Magpie Cage Studio), Don Zientara, and Juan Carrera (Warmers, Slowdime Records). The album came together at a crossroads where a shifting D. C. scene, evolving musical interests, and broader cultural changes all collided; all of which shaped the writing and recording of the record. Whereas earlier records